October 11, 2018
at 9:30am -
with Paul Biederman, M.Photog.Cr.
In the days of film, post-processing was accomplished mainly by professional labs. Adams stated that
1/3 of a photograph was in the capture, 1/3 in post-processing and 1/3 in printing. When I started in the creative wet dark room (1971), it took me zillions of smelly, wet, caustic moments to what I can now accomplish in minutes. Cameras do not have any setting for emotion or feeling. They have
light and visual restrictions. My goal is to recreate what my right and left brain visualized and felt when I clicked the shutter. I want the viewer to stop and investigate my print not for the title or the story that is printed at the byline, but to create their own story and "to be in the print". Post processing helps me to accomplish and create this goal. Photographic software companies have produced amazing creative products which are complex and constantly being updated. This course is designed for the intermediate to advanced PS/LR user. We will explore the 'tools', pre-sets, tips and tricks,
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