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By Chris Homer

Imaging USA 2016 in Atlanta is rapidly approaching. As you make preparations for the convention, consider signing up for a pre-convention class to increase your photographic education opportunities!
 
While Imaging USA has a whole host of classes included with your full-access registration covering topics that all photographers can learn from during the convention from January 10-12, there are also additional classes occurring from January 7-9. These pre-convention classes require an additional fee, but the class sizes are limited to smaller groups, meaning you'll get more one-on-one attention from the instructor! 

Pre-convention classes range from multiple day workshops, like PPA's Business Workshop or the Certification Preparation Class, to full day classes on topics like using Lightroom, learning Corel Painter, getting your images ready for the International Photographic Competition, and more! 

Plus, there's also Hands-On pre-convention classes, where you'll go out on a photo shoot with the instructor and practice the skills you are taught with your camera! These classes are shorter, so you can attend multiple classes during the day and get all the hands-on practice you want.
 
Find the complete list of pre-convention classes on the Programs By Day page on imagingusa.org. Make the most of your educational opportunities at Imaging USA and sign up for one today!

Visit imagingusa.org for more information on registering, hotels, travel and more. 


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About the author:
Chris Homer is PPA's SEO & Web Specialist, which basically makes Google Analytics his best friend. A graduate of the University of Georgia, Chris cheers passionately (and obnoxiously) for the Bulldogs in all things from football to checkers. When he's not hard at work on PPA's websites, you'll find Chris at auto racing events around the southeast, where he's known as a master architect of tent villages.


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By John Owens

Back in the fall, PPA launched the second annual PPA Kickstart Scholarship. Our four lucky PPA members are already in Nashville for their pre-convention classes--completely on the house! The winners were given the opportunity to choose between a full-day of hands on classes or a two-day Studio Management Services workshop.

We chatted with each of our winners last month, and their excitement was evident. Each will be attending their first Imaging USA. Here are some highlights from the conversations:


By Mariah Ashley

I'm sitting here in Massachusetts with a blizzard bearing down on my house and all I can think is, This better not mess up my plans to go to Imaging USA in Nashville on Friday!

It's colder than a frosted frog here so in the spirit of Nashville, I'm passing the time researching country and western idioms. What I've discovered is that we're pretty boring here in New England, at least in terms of color phrases. You know, one of the best things you can do when visiting a new place is to learn some local lingo. I've included a bunch in this post so that you can fit in too. You're welcome.

Anyway... What a difference two years can make! It was just two years ago that I tried to fake a flu to get out of the trip to Atlanta for my first Imaging USA. My business had two speeds at that time: slow and stop. Yep, my crick had run dry. True story. I had $79 in my bank account. Coming up with enough money each week to make payroll was like trying to put socks on a rooster.

I couldn't see mustering the energy, let alone the money to make the trip. Fortunately for me, my business partner Trish is as bright as a new penny and saw right through my lame faux-flu. She insisted I get on the plane. Never in my wildest imagination (and trust me it gets crazy as a bed bug in there) did I imagine how much that trip would change my life. When we arrived in Atlanta we were desperate--desperate for inspiration, desperate for answers. We had nothing to lose so we went with open minds and empty pockets and found everything we were looking for.

By Chris Homer

A third generation photographer, Luke Edmonson has the craft in his blood! He's been a
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 professional photographer for nearly 20 years, starting out in commercial photography and then teaming up with his father in 2003 to create Edmonson Weddings. We chatted with Luke about defining style, his career as a photographer, what inspires him and more. Here's the recap of the interview:

1. What would you say is the biggest difficulty people usually face in defining their style?
The biggest difficulty in finding a style is finding your own voice and doing the work to discover who you are and what you want to say. It's not simply a matter of the type of photography you like or admire. It's not simply your ability to execute what you want when creating your imagery. You have to know the "Why" behind what you are communicating.

It's about understanding and knowingly pursue what is behind your vision when you are capturing a moment, your subjects, how you light, direct or pose them. So, an artistic style, at its very core, requires introspection. Something that as individuals many of us do not want to do. It requires you to become still...to be quiet...to reflect with intent.

I like this quote from Katherine Anne Porter, Pulitzer Prize winning author, who says succinctly "You do not create a style. You work, and develop yourself, and your style is an examination from your own being."

Let's examine that for a minute...

a. You don't create a style? Then what is all this talk about "finding your style" or "creating your style" that you hear bantered about? Perhaps it's just marketing speak to make it more palpable to the audience who is listening. Who wants to hear about work when the world sells us on the premise of "easy, fast and simple"? But don't for a second betray yourself to think that discovering something is easy. Especially when it involves learning about yourself. What is it that you bring to each photo shoot that shapes the direction of the imagery you capture?

b. You work and develop yourself? Yep, it's a never-ending process of growth periods, plateaus, and sometimes darker times. When things get stagnant, it's up to you to make the changes necessary to break through. When you are on top of the world it's about fighting complacency. None of us ever have it all truly figured out. However, with growth and development, some challenges as a photographer that may have taken hours to solve visually can be solved in mere minutes, once you've had that proverbial light-bulb moment.

c. Your style is an examination from your own being? Like most of us, you probably became a photographer when you fell in love with it. Perhaps, it was because of its immediacy. Perhaps it was because of how it made your feel when people complimented your early eye. But now that you have been in it for longer, what keeps you in the field? What drives you to create? When you look back on your work, what patterns and tendencies do you see? How have you transitioned from WHAT you see when you shoot but HOW you see, think and feel when you shoot? Have you had to persevere and overcome challenges in your photography? Your fingerprint is firmly implanted on every image you create. I encourage you to study it and understand it!

If you want to become a better photographer, it starts with becoming a better person. How can you pour out your life into others if there are areas in your own life that are holding you back from doing just that?

By: Lauren Walters

           

Thom Rouse began his career in 1994. He now splits his time as a portrait and commercial photographer. With two diverse sides to his career, Thom has mastered the art of photography. In the following interview, he tells us about himself as an artist.

 

What is your definition of "fine art"?

 

I wouldn't dare try to define art! My thought is that if you have a personal experience with literature, music, a painting or a photograph, then it must be art. We don't really need to define it, agree on it, or consult a critic to decide what it means. If we have an experience with it, positive or negative, I think it must be art.

 

Who are some of the artists who inspire you?

 

There are many artists who inspire me and the list changes daily. Among those near the top of my list are Salvador Dali, Gustave Klimt and Tintoretto. Among photographers, I'd include Steichen, Julia Margaret Cameron, Gordon Parks and Irving Penn. As soon as I start a list, I can think of 30 more I should have added.

 

Why do you teach classes for other photographers?

 

        It sounds trite, but I like to teach because I learn so much from it. It pushes me to think and evaluate the things I think I know about my process and my craft. While teaching, I often have some self-revelation about my own image making and I always learn from other photographers, usually from the newest newbie in the room.

 

You've had over 50 images go Loan - what do you enjoy most about photographic competitions?

 

        My reasons for entering competition have changed over time. When I started, I was solely trying to make the judges happy and earn merits towards a degree. Once I earned my degrees, I tried to make and enter images that I liked the most and were unique to me. At that point, I stopped looking for what I thought would achieve the highest scores. If we're not learning from competition, I see no reason to compete. We all need to present our work and receive feedback; it's a part of our ongoing creative process. No matter where we are in our careers, photographic competitions guarantee to make us better image makers. The more we enter competition, the more we have to work at stretching ourselves. It pushes us to take chances and do work that advances our vision; not just entering images that will earn more merits.

 

What makes photography such a versatile medium of expression?

 

        It's great to be a photographer: a time when the medium has become more versatile than ever! I started later in life at 40 years old, but the 20 year span of my career has encompassed the transition from film to digital capture. As much as I loved the traditional darkroom, I came alive with digital post production. During that time it has become an entirely new medium that encompasses painting, compositing and extensive possibilities for post-capture manipulation. The technology has created endless opportunities, yet we have to remind ourselves that we still create images with our eyes, hearts and minds. That's what makes photography truly versatile.

 

Do you pursue any other creative endeavors?

 

        Sadly, I do not. I gave up music 30 plus years ago; although, I'm greatly inspired by other media. I fantasize projects in other media, but I've never acted on it.

 

What is your favorite image you've captured?

 

        I have several favorites because they were influenced by very personal experiences that captured, expressed and expanded those experiences. I think the best and most impactful work is done when it's grounded in your personal experience.

 

Who should take your class at Imaging USA?

 

I think that photographers in any genre and at any experience level will find something of value in my program. I'll be making the case for spending time on fine art and how fine art will translate into added success in commercial and portrait work. Creating and displaying fine art expands your reputation as an artist, and will contribute to both your image making skills and to your bottom line.

 

What are the top 3 things people should take away from your class?

 

1. Pursuing personal fine art will keep you fresh, alive and vibrant as an image maker.

2. These days everyone is a photographer - being recognized as an artist elevates your status and recognition in the market.

3. Fine Art translates into skills and styles that let you create work like no one else in your market.

 

Elvis, Johnny Cash, or Jack White?

This is trick question that should be answered with "all of the above". I know that Elvis and Johnny Cash have influenced nearly everyone that's followed, but my first choice for listening right now would be Jack White!

This must be a based on Nashville connections; otherwise I'd be voting "none of the above" and writing in Miles Davis!

Come listen to Thom speak at Imaging USA in Nashville, TN. He will conduct a course called "The Case for Fine Art" on February 1, 2015. Looking forward to seeing you there!

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By: Lauren Walters

Let's get to know one of our speakers who will be at Imaging USA in Nashville, Tennessee. JulieAnne Jonker has her master of photography and photographic craftsman degrees from PPA and is also a certified professional photographer (CPP). In the following interview, she sheds some light on her career as a photographer. 

Who's your class for?

Any photographer, really. It's about inspiration as much as what it takes to get your photography studio to the next level. I'll help you direct your business based on your definition of yourself as an artist

What are the top 3 takeaways from your class?

At the end of my class, you will be able to understand 3 things: 

1. Who you are as an artist

2. What direction you want to take your studio in 2015

3. How you can operate a low-volume, high-end studio in this economy

Define your style as a photographer in 5 words.

My style reflected in my photography is vintage, ethereal, classical, compelling and timeless.

What makes your portrait style so unique?

The influences that I continually derive from the fine art world shine through my work and define my photography style.

What is your favorite medium of expression besides photography?

Outside photography, there are two outlets I use to express myself: painting and sculpting.

What was your proudest photographic moment?

Being invited and voted into the Camera Craftsmen of America has to be my proudest moment as a photographer.

What is one marketing mistake many photographers make when they are first starting out?

Inexperienced photographers tend to compete on price, and price only, to get their foot in the door, but that presents them as cheap studios with too many sales and specials. 

What do you want to be known for?

As an artist I'd like to be known for creating timeless pieces.

Elvis, Johnny Cash, or Jack White?

Definitely, Jimi Hendrix.

JulieAnne has had a long streak of success. Learn from her at Imaging USA in Nashville! You'll have two opportunities to hear her speak: on the business panel "5 Golden Nuggets" and in her solo-class called "The Portrait as an Art Form"

If you haven't registered for Imaging USA, you can do so now at ImagingUSA.org/Register! We can't wait to see you in Nashville! 

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If there's one thing we can guarantee about Imaging USA 2015, it's that this year's speaker lineup is probably the best ever. Last time we highlighted Steve Kozak and found out, amongst other things, that he's a Johnny Cash man at heart. This week we're back with Carl Caylor, M.Photog.Cr., CPP and his class, Hands On Photography: Natural Light Portraiture. In this week's interview with Carl, you'll get why he dove into natural light, where he draws his artistic inspiration from, and who he believes let the dogs out. 

Why do you love natural light so much? 
I like natural light because it is my comfort zone. I have always used natural light for my photo journalistic work and it seemed to transition well into the portrait world. I guess it has always been something that I could see and then record in my pictures. The strobe lights involved me constantly recording and rechecking to see if it worked--natural light is just so much easier for me.

What can people expect to take away from your class?
Photographers will get hands-on experience and feedback with live models. They will learn how to see light and determine where to position their subjects in relation to that light. They will also learn what is possible with the light they find. Light dictates what patterns are possible within the given background that corresponds to a scene--the relationship between the subject, the available light, and the background is something I'll expand upon more at Imaging USA.

What is the one thing about using natural light that most photographers initially struggle with?
The fact that just because you're outside doesn't mean you should throw away portrait lighting. We can still achieve wonderful light patterns that are flattering to the human figure. Natural light doesn't mean getting a correct exposure. Be a professional, be an artist. Give more than just a picture. Create...yes, create a portrait.

Where do you draw your inspiration from as a photographer?
Life in general is a good place to begin. But I draw inspiration from many places. Movies, ads, music, art, and other photographers are great sources of inspiration. For the last 19 years photographic competition has been my biggest source of inspiration. Although I took a few years off of being really serious about it, last year was a good comeback for me. It made me excited again and I played hard. It's important to give print competition a try, because you might find that it pushes you to be a better photographer.

What brought you to the world of photography?
My aunt and uncle are very talented photography hobbyists. From cameras to darkroom work, I was lured in by their love of the craft at an early age. My high school wrestling coach was also the photography teacher and yearbook advisor, which turned out to be a great combination for me, and I instantly was hooked. I went to college for Technical Communications Management with an emphasis in Photography and a minor in Business. While I value what I was taught in school, I learned much of what I know about photography today simply by spending time with talented photographers in classes and seminars. 

What's your favorite image you've ever captured?
I'll let you know when it happens.

What's one image you want to create?
I would love to work on a movie set doing portraits for the marketing end of the movie. The Secret Life of Walter Mitty would have been a great assignment!

Who let the dogs out?
I did. It was her time to do her thing. Seriously--her name is "Canon's Image Stabilizer," we call her Izzie for short. Before that we had "Caylor's Kodak Moment," Kodak for short. She was our photo "lab".

What do you enjoy about photographic competitions?
Competition itself. Regardless of if it is a sport or an art contest, competition gets the blood flowing. You create great friends in competition. You learn new things. You push yourself to new levels. It's not that I'm too competitive; I just think that it is important to always do your best. If you make sure to do that you will always be a winner.

Elvis, Johnny Cash, or Jack White?
Who is Jack White?

Be sure to come see Carl at Imaging USA 2015! His preconvention class--Hands On Photography: Natural Light Portraiture is available at $79. You can sign up for additional Hands On Photography pre-convention courses for $129 for two classes, and $159 for three classes.

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By Chris Homer

It's time to get to know another Imaging USA instructor taking the stage at Nashville in 2015.kozak_headshot.jpg In this interview, Steve Kozak, M.Photog.Cr., CPP, talks about why you should sign up for his "The Secrets to Success When Turning Pro" pre-convention class (which he'll be co-hosting with Britney Fullgraf). He also shares why he become a photographer, what he believes his style is, why he enjoys serving on PPA's Board of Directors... and why he prefers Johnny Cash to Elvis.

When did you know you wanted to be a photographer?


I was a professional musician in a band when I got my first camera. I loved music, but there are demands that go with being in a band that make things hard to keep up with that lifestyle. The more I learned about photography, the more I realized the similarities between taking photos and making music. When I figured out I could use my camera to tell stories, make people feel and use it as an outlet for my creativity, I left the band, sold my guitar and bought my first 2.8 lens. There was no looking back!

What are the top 5 things people will learn from your class?


The first thing we discover is that quality photography begins with the fundamentals--the techniques all photographers should know. Participants will learn how to elevate the quality of their images to a professional level through proper exposure, lighting and posing.

Next, we'll look at gaining control over the portable flash by using it in manual mode and the value of using supplemental lighting with off-camera flash. This is a huge game-changer for photographers trying to improve the quality of their images!

Then, we examine the value that studio lighting brings to the financial success of photographers--and I'll show you how you can use this type of lighting even if you don't have a studio space. I plan to really demystify studio lighting and make it an approachable technique for photographers.

We then look at how to market professional photography and the importance of the message that you place in front of the target market.

Finally, we examine sales strategies and techniques to maximize the sale without feeling like you are pushing too hard. After all, the easier sales become for you, the more money you'll make and the more time you can actually spend behind the camera!

Who should take your class?


All photographers who are considering stepping out into professional photography as their full time job, as much as those who "leapt before they looked". It's not too late to learn how to run a photography business properly! It's never too late! I've built this class to answer so many of the questions photographers starting in the business have, and I truly believe it can help you be successful.

Which do you enjoy more: teaching or photographing?

OK, this question is not fair! It's sort of like choosing your favorite child or your favorite Beatles song. The truth is, I love teaching to those who will dare to take information and run with it. Helping others grow and seeing them succeed brings me greater pleasure than just about anything I do.

What makes you and your co-speaker Britney Fullgraf such a great team?

Britney is simply brilliant. She has a sharp mind for business and knows how to make money. We really take two different approaches to what we do, but when it comes to teaching photographers how to find success, our styles complement each other so well that students can take the best of what each of us has to offer.

Describe your photographic style.

I think of my work as "crafted". I do not leave the details of my work to chance and I am very selective about my lighting, posing and technique. I almost always go into a session knowing what I seek to create for the client. I strive to create images that are unique for every client.

Where do you draw your inspiration from?

Life. Music. The heart of the person in front of my camera. Landscapes. Fashion. Movies. Art. The human emotion. The mountains. The beach. Contrasts. The dark side. Beauty. Love. Lost love. Hope. Just to name a few!

Why was it important for you to serve on PPA's Board of Directors?

It is important that all of us answer the call to serve whenever or wherever we are called. Serving on the PPA Board of Directors means that I really am serving the 27,000+ photographers of this association who have dreams, passions, struggles, needs, successes and desires. By giving my time and service to this group, I become a small yet active part of a larger community that provides photographers a light along a path that helps them be more and get where they want to go. The tools and the opportunities that PPA provides for photographers are limited only by the willingness of each photographer to reach out and take hold of them. Who wouldn't want to be a part of something as special as that?

Elvis, Johnny Cash, or Jack White?

What about the Beatles?! OK, focus...Jack has had a hand in the success of a number of projects, but is not as recognized as Elvis or Johnny Cash. Johnny was, and still is, "The Man in Black". How cool is that? But Elvis... he is so cool he only needs one name.  
This question has me "all shook up", so I think I will "walk the line". I think Elvis had so many people he had to please and so many people trying to own him, so I chose Johnny Cash because I think he did what he wanted to do the way he wanted to do it. Sounds like a true artist to me!

Come learn from Steve live at Imaging USA 2015. His "The Secrets To Success When Turning Pro" pre-convention class will run January 29 - 30 for an additional $199 fee to your registration. Get all the details on Imaging USA and register here! 

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About the author:
Chris Homer is PPA's SEO & Web Specialist, which basically makes Google Analytics his best friend. A graduate of the University of Georgia, Chris cheers passionately (and obnoxiously) for the Bulldogs in all things from football to checkers. When he's not hard at work on PPA's websites, you'll find Chris at auto racing events around the southeast, where he's known as a master architect of tent villages. 

By Sarah Ackerman

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To help you become familiar with the photographers who will be on the Imaging USA stage, we asked them some questions to really dig deep. In this interview, Kareem Black, portrait photographer and philanthropist extraordinaire, talks about inspiration, our changing industry and how to break into the upper echelon of commercial photography. You can check out his program details here but in the meantime, enjoy!

What was the biggest challenge you faced in defining yourself as a photographer?

The biggest challenge I face, just like most artists, is figuring out what exactly I want to say, and how to say it, in a way that is unique to me. This is probably a lifelong exploration. Early on, I was a lot more technical and used a ton of lights, lenses etc., much more so than I use now. I was hiding behind production and lighting rather than letting the image tell the story. I'm not saying that using a ton of lights is bad, but for me, once I simplified my shooting set I started on what to say with/through the image. With that said, I'm happy I did go through that more technical phase because now I'm very confident in my ability to light just about anything.

What do you think the biggest challenge people just starting out in the industry face?

The biggest challenge might be when people are trying to break into the industry and get noticed. There are so many photographers! To be clear, there always have been a lot of photographers, but today there are seemingly less clients because there are more photographers than ever. In commercial photography, the great recession really killed a lot of print media which was the initial stepping stone that lead into bigger advertising and music work. I started out shooting for magazines and then moved onto CD covers. When's the last time anyone bought a CD? What I'm going to say is sort of common knowledge, but I think that it makes a big difference how photographers face there being more competition and less clients. I love competition and I love looking at photography. One of the first things I do every morning is surf Tumblr and Instagram. It inspires me to see what others are doing. I say the more photographers the better, generally speaking. If you love what you do, and thrive off the battle and the battle makes you better at what you do, you'll be fine. Also, show your work to as many people as possible and never ever ever stop making new work!

Define your photography style in four words.

#feelsgoodletsgo

How do you stay ahead of the game in this industry?

I think that constantly creating new work is very important. By new work I mean new bodies of work. Photographers are like sharks--we have to keep moving forward or we die. Evolution is paramount. I start new personal projects, take trips, conduct an experiment, take risks with my photography. That's how I stay ahead. Otherwise, dwelling in my comfort zone for too long will be death.

What are you most excited about at Imaging USA?

I'm excited to meet and talk shop with photographers of all ages and from all over the world. New York and L.A. can become very incestuous. Everyone knows everyone, there are accepted ways of doing things and how things should look. But I want to experience other points of view and share my own insights. 

What inspires you?

I want to be inspired by as much as possible. I'm a photographer, so obviously I am inspired by photography past and present, but also art in general. I want to know what people were thinking when they did certain things, these questions go beyond art. I'm also genuinely interested in the human condition and like to ask myself what I would have done in certain situations, which provides me with great insights. All of that inspires me! As a photographer I am an explorer and I  find inspiration in all of my explorations.

What is one marketing mistake most new photographers make?

Offering a special or a promotion is often a tight-rope walk. You don't want to be bothersome and call/email/mail people too often, but on the other hand, I don't want to do it so rarely that I am forgotten. There must be a happy medium. Sending a promo, maybe twice a year, is appropriate for me, as well as emails with relevant new work samples. Too often photographers bombard editors with work that isn't necessarily their best stuff. I generally prefer quality over quantity.

How did you break into the high-end commercial photography market?

The industry is small and in New York it is very small. I am a pretty social guy and I love a good party. Believe it or not most of the first people I met, were through social settings - parties, bars, shows, that sort of thing. You'd be surprised how many deals and how much business is transacted in venues like this. At the end of the day, people make deals with people and there are a lot of great photographers out there. The people really want to have some sort of connection, or at least get along with the photographers they will hire.

Elvis, Johnny Cash, or Jack White?

Frederic Chopin

See Kareem live and in action at Imaging USA 2015 in Nashville! He will be giving his program "A Portrait Photographer's Survival Guide to a Changing Industry" on Tuesday, February 3rd at Imaging USA. Get all of the details and register today here!

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Sarah Ackerman is known around PPA as #Sarah in part because she handles all things social media and in order to differentiate herself from the other Sarah's in the office. Sarah loves improv comedy (think "Whose Line") and routinely performs with WitPro around the Atlanta area and at Dad's Garage Theatre Company. When she's not tweeting/instagramming/facebooking all of the action at PPA, she can be found gallivanting around the world or wandering around the woods with her pup, but more than likely she's on stage making people giggle.

Meet Peter Lik, M.Photog. He's the most acclaimed landscape photographer in the world right now, and that's hardly an exaggeration. This high-octane Aussie and star of The Weather Channel's "From the Edge" will go far and wide and brave any elements to get the perfect shot. Peter will deliver a special keynote presentation at Imaging USA 2015 to discuss how and why he does it. He's bringing along some of his most celebrated images like "Ghost" and "One" and will share the stories behind them and more.

Peter will also be presented with PPA's Lifetime Achievement Award. He has been a PPA

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 photographer for nearly 10 years and is a fervent advocate for the association and its membership. Peter's accomplishments in the industry speak for themselves, and you'd think he has nothing to prove, yet he continues to enter the International Photographic Competition (IPC). One of his images made it into this year's Loan Collection.

Peter earned his master of photography (M.Photog.) degree from PPA in 2010. The degree is awarded for superior photographic skills--demonstrated through obtaining merits through the IPC, and by advanced education, speaking engagements and service to the industry.

A native of Melbourne, Australia, Peter has photographed the American landscape since he first arrived in the U.S. in 1984. Fifty thousand miles and 1,000 rolls of film later, he has now photographed landscapes in all 50 states. Highlights of this American odyssey can be found in his book, "Spirit of America."

Throughout his career, Peter has sold hundreds of millions of dollars of his artwork (again, not an exaggeration).  Two of his iconic images, "Ghost" and "Inner Peace," were exhibited in the Smithsonian National Museum of Natural History in Washington D.C. Peter also has 13 galleries of his own and counts presidents of countries and big celebrities among his many collectors. His aforementioned Weather Channel show has made Peter Lik a household name.

Want a preview? Go behind the scenes with Peter in New York City and the Pacific Northwest. In fact, you might just want to watch everything on his YouTube channel. And be sure to follow Peter Lik on Facebook and Twitter and check out his website.

Lik's keynote presentation at Imaging USA 2015 will be Monday, Feb. 2, 8-9 p.m. The program is open to anyone with an Imaging USA badge, including all-access and expo-only passes. Trust us, a program from a guy with this much talent, passion and energy is one you don't want to miss. It's first-come, first-served so you will probably want to get there early! And don't forget, you have to register for Imaging USA and come out to Nashville to see him.

Want to be more? Be there.

After all, how far are you willing to go for the perfect shot?

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