Joe Campanellie, M.Photog.Cr., CPP, F-ASP, was a busy man at Imaging USA this past January, claiming some of the industry's most prestigious honors, including the American Society of Photographers' Gold Medallion Award, a PPA Diamond Photographer of the Year award, a PPA Imaging Excellence award and his ASP Fellowship degree. This highly decorated family and children portrait specialist calls himself the "poster boy" for how photographic competition can make a photographer better and, he says, also helped him to rediscover his passion for nature photography, which motivated him to aspire to the ASP Fellowship degree.
"I got into the art of photography quite by accident when a friend of mine bought a camera and set up a darkroom in a closet. I was hooked from the very beginning by watching my first print develop in a tray," Joe remembers. Still, he had doubts about whether or not he was good enough to enter photographic competitions. "I would sit and watch our state competitions, walk through the General and Loan Collection display, and be blown away."
Campanellie decided to overcome his apprehensions and get involved in competition anyway when one goal became clear. "I just wanted to become a better photographer," he says. "I decided I needed to be a part of the process to reap the benefits--I wasn't going to gain anything by sitting on the sidelines."
And so, Joe set out to compete with the aspirations of improving his skills and seeing his art in all new ways. "When I first started competing, I never dreamed I would be where I am today. PPA photographic competition has helped me find my strengths as an artist."
Leverage Competition to Your Benefit
Campanellie recommends that every photographer start by using the "12 Elements of a Merit Image" to judge the quality of their work. "I can honestly say that the standards changed the way I look at my photography--they changed the way I look through my viewfinder. Learning to apply the 12 elements to your day-to-day studio work will help you learn the basic concepts of design and composition, and these are concepts that great artists have used for centuries."
Then, he says, become a student of how competition works. "Before I entered my first image, I spent time watching the photographic competitions in our state," Joe explains. He also talked to the judges, even though, he admits to being shy about it at first. "To get better, you need their opinions and their experience, and you have to develop a thick skin. Don't take it personally if your favorite image doesn't do well and keep an open mind."