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We get it. Image competitions can be intimidating, especially if it's your first time putting your work out to be judged. What exactly are they looking for? Should you get a critique? If you do, will they just be ruthless? 

To take out some of that fear, we're going to share with you a critique of the week from the 2014 International Photographic Competition (IPC). Some of the images presented merited and made it to the Loan or General Collections, while others fell short. You can learn plenty from both! Watch and listen to IPC judges point out areas of improvement, along with areas that really stood out. 

Below you'll find "Spears of Gold" by James Andrews, critiqued by Jon Allyn. Happy learning!


Georgia photographer, Judith Ann, was lucky (and talented!) enough to earn a merit on her first time entering PPA photographic competition. In this guest blog, she shares the funny story behind her merit image and an afterword with her thoughts following the International Photographic Competition (IPC).

Dog Gone, I Received a Merit!
By Judith Ann

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A lack of communication and poor note taking almost cost me a very important session last year. I'll tell you upfront, the good news is everything turned out better than planned. Pardon the puns, but it caused me to dig deeper into my artsy side when I realized I had been barking up the wrong tree for most of my morning.  

The day started off like a typical morning at my studio, beginning with a review of appointments, ordering sessions and events to help my day flow smoothly for the next eight hours. I have always prided myself on my ability to plan and custom fit each client's session based on their requests. This particular time, my daily calendar informed me I had a pet session scheduled for 10 a.m. My assistant had booked the appointment the day before and the details were sparse. So bright and early I got my chain rattled and had to react quickly to this situation.

The notes said, "English Bulldog/pet picture" and being comfortable with dogs I believed for a hot minute that this would be an easy session--that is until I got up from the computer and started walking to my shoot room. My assistant appeared suddenly and filled in the details about my soon-to-arrive client. The client recently added a "man room" to her home--thus the need for the bulldog portrait for the wall.

"Really?" I asked excitedly. Then she said the portrait was to be based upon the poker playing dogs. I stopped walking.

"Huh? What are poker playing dogs?"

My assistant gave me the look that only the younger generation can give as if to You gotta be kidding me! Have you been living in the dark ages!  "Like, they're everywhere" she said, "I'll show you."

I must have had the dumbest look on my face realizing I was totally unprepared for this session while I stared into a computer screen to see bulldogs playing cards, smoking cigars and looking generally illegal.  

"How old is her dog?" I asked.

"I believe it's a puppy."

 What da' what?

Soon after I heard a car door close and a barking dog headed my way--my moment of truth had arrived. The only thing I had going for me was the fact that this client was a regular customer who trusted me with her family portraits for years, at least up until this point. The studio door cracked opened and the tip of a furry nose nuzzled through and the wrinkly bulldog puppy came barking, jumping and running straight into my lobby.  

I stood there dazed and confused and in my squirreliest­ voice said, "Hi Jennifer!"  

Jennifer gave me a curious smile and said, "What's up?"

"I just realized I don't have a deck of cards," I said. "Would you mind leaving your puppy with me and running over to the store to get a pack while I get the lights set?"

Ha! lights set? How about trying to pull off the fastest-built set in 15 minutes flat?

She agreed and when I heard her car start up I sprang into action. The puppy was left to run around the lobby while I began to think...

My son-in-law was in the studio the day prior drinking the brown, old-fashioned root beer glass bottles. I dug through my trash and apprehended two bottles from the bottom of the garbage can. Yes! Close enough to a beer bottle and now I need a cigar and I think I have one from the proud parent of a baby boy! I hope this pup won't eat my only cigar!

Some further hunting around the studio produced an antique checker board with chips, an old camera and a quick hand dive into my purse brought up some change and dollar bills to hopefully round out the set. We cleared off a side table from the lobby, moved it into the shoot room and carefully arranged the newfound items. Jennifer returned with the fresh deck of cards and it was time to put our puppy to the test.

We placed our furry little friend on the table and he curiously looked left, right, up and down and in a split second scooped the cigar into his mouth and brought his head up into the cutest pose. Click. The image was captured in the blink of a (puppy's) eye!

(Side note: The puppy was not harmed in any way in the capturing of this image. As a matter of fact he enjoyed all the attention. The cigar was not lit--we created the smoke and red ash in post-processing.)

My assistant and I discussed better communication techniques through more detailed note taking and a big HEADS UP on unique session requests. As a bonus, we have had several clients request that particular image as artwork for their home.

In this, my first year of PPA image competition, I included "Hold 'Em Ace," and was pleased to earn a merit seal at my state (Georgia PPA) and district (Southeast) competitions I'm excited to hear the results from the IPC! My fingers are crossed on being chosen for the Loan Collection.  

Afterword:

It's official! I've come full circle in completing my first year of competition. I entered the same four images from start to finish (GPPA>SEPPA>IPC) and am excited to say that three of the four images merited! After I received my judge's critiques from the GPPA/SEPPA level, I made some adjustments on three of my four images. "Hold 'Em Ace" had already sealed and I was told you NEVER break the seal once you merit.

My judge's critiques helped me see her perspective on how I could improve my images and I was mostly happy to make the suggested changes. I have to admit I did take a little offense on my critique of "Bonny Boy." The judge made mention on my child's sausage fingers on the bike handle, I took it personally because, to me most children have little sausage fingers. After growling about the comment for several days, I took another look at those baby sausage fingers and began to see why the judge had pointed them out.

I agreed that maybe they were standing out more than they should, so I took my burn tool and ever so slightly browned those little sausages. My images went from being what I considered really good prints to great images with just a few small changes. As a suggestion, don't take the judges' comments to heart--they are there to help you become an even better photographer.  

I was glad I took the time to compete and successfully survived entering into a whole new world. I bet you have already guessed about how I feel about next year, that's right, I'm thinking about conjuring up brand-new ideas that will hopefully earn more merits. It's a win, win situation that will benefit my clients. My final thought is that being able to resource a judge with years of experience, compete with your fellow photographer peers in the industry is bringing me closer to my goal: award-winning photographer, Judith Ann, M.Photog. (master photographer).

 

You might have heard, but the International Photographic Competition (IPC) was last week!

The results are in and they are GOOD! More images, more merit images, and WAY more images going loan. Way to go everyone! Here's an excerpt from our official press release below:


A panel of 45 eminent jurors from across the United States selected the top photographs from nearly 5,000 total entries from August 4-7 at Gwinnett Technical College in Lawrenceville, Georgia.

Judged against a standard of excellence, just over 1,800 images were selected for the General Collection and 918 (roughly 18 percent) were selected for the esteemed Loan Collection--the best of the best. The Loan Collection images will all be published in the much-anticipated "Loan Collection" book and over 200 selected General Collection images will be published in the "Showcase" book by Marathon Press.

Images accepted into the General and Loan Collections will also be on display at the Gaylord Opryland in Nashville, Tennessee Feb. 1-3, 2015 during Imaging USA, the annual convention and expo for professional photographers. These images constitute one of the world's largest annual exhibits of professional photography gathered simultaneously under one roof.

Those who didn't earn merits this year didn't have to leave empty-handed. Critiques from the IPC judges were available upon request, and the judges completed roughly 1,800 during the competition. The critiques are offered as a way to help participants find areas of improvement and prepare for future photo competitions.

And for the first time, this year's IPC was streamed live online and 1,570 unique visitors from 13 countries tuned in over the four days. 643 of those weren't involved in this year's competition, showcasing the widespread curiosity in competition, but tentativeness to enter. This is something PPA hopes the live stream will help change.

"This was truly the biggest and best IPC yet," said IPC manager Rich Newell, M.Photog.Cr. "Those critiques must be working; we had about 250 more images go Loan this year. And we're thrilled with how many people viewed the live stream. We hope it showed all the non-participants who watched what truly goes on at competition. Hopefully they won't hesitate to enter next year!"

The IPC challenges photographers to grow their artistic and technical photography skills by creatively capturing and presenting their best images, and by doing so, improving their businesses.

 

Here are a few photos from the judging:

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To view full results of the International Photographic Competition, visit PPA.com/IPC. And go ahead and start practicing for next year! Let's see those numbers soar even higher.

Written by IPC Guest Blogger, Christine Walsh-Newton
Blog was originally posted on August 7, 2014

Whew! Was that a roller-coaster ride, or what? IPC 2014 exploded on the scene with a bang and will not be soon forgotten. The excitement of being able to view the judging live online added a whole new dimension to the competition this year! I'm happy, you're happy, we're all happy!

So... yes, I know there's still one more day to go, but some folks' judging has been completed and they're wondering what the next step is - so here are some things you'll want to know about.

1. Results - you should receive your results as the competition is ongoing. Texts are being sent to alert competitors that their image is in line to be judged as well as the results afterwards. If you didn't get signed up for the texts, you can still check how your images are doing by going to the live stream link (http://stream.theipc.org/) , logging in and checking the area that says "View My Images."

The final, official results will be available within several days of the end of IPC 2014 at the PPA website. In 2013, they were available about 1 day later and were posted at: IPC Results

The official results will list your name, the title of your image and the judging results. Results are noted as G, GB or L. G means that your image was accepted into the general collection and will receive 1 merit. GB means that your image was accepted into the general collection AND although it was judged for loan and did not receive a loan designation, a judge felt it was worthy of special recognition and it will be placed in the Showcase Book. More about that later. An L means that your image was judged as worthy of inclusion into the PPA Loan Collection and will receive an extra merit, for a total of 2 merits and will also be published in the Loan Book. More about that later, as well.

2. Bling - Did your name appear in the results four times? Well, happy, happy, joy, joy, you are pretty special! That means that all four of your entries received at least a merit and you are a medalist. You will receive a 4/4 pin suitable for framing... er... suitable for pinning onto your lapel, ID badge ribbon, or if you are degreed, placed upon your medallion ribbon to forever clank when you walk.

There are 5 different 4/4 pins depending on the number of merits & loans that you received:

A first-timer's account of the International Photographic Competition

 

By Penn Hansa, PPA Intern

I naïvely thought I had been at PPA long enough to know what to expect when we went to the International Photographic Competition - lots of images, seasoned judges sitting in a dim room deciding whether the image presented should merit and a solemn air of importance surrounding the entire event.

I was only half correct. IPC is much, much more.

It's an invaluable experience, a chance to learn from some of the most talented photographers in the industry and oddly enough, it feels like a family reunion -- if your family were made up of experienced IPC judges, that is.

"Do you want to see my granddaughter?" a judge asks, while waiting for the next round of judging to start. He pulls out his iPhone and flicks through the images before anyone replies.

"Only if I get to show you mine," another judge replies. "And then we can judge the images!" They all laugh.

But when the session starts, it's all business. In the digital room, the judges sit in twos or threes, and as an image comes on the screen in front of them, they'll review and tap in their vote on an iPod Touch. Oftentimes, they'll lean closer to the screen to see the image more closely, viewing it from different angles to make sure they haven't missed a pixel when considering it.

A common misconception about IPC is that the judges will favor images that suit their style. Because they score in a matter of seconds, it seems easy to believe it. But when a judge challenges an image, it's all laid out on the table and it's clear to see that their deliberation is intense. They'll each speak at length about why they favor an image to merit or what fell short, citing the 12 elements of a merit image

"It's not about the treatment of an image, and whether I like it or not," said Allison Watkins, M.Photog.Cr., CPP. "I have to put my preferences aside to see the image impartially."

I wanted to see more of the thought process behind the deliberation, so I headed to the critique rooms, where judges offer their thoughts and constructive criticism about the image. For each image that is being critiqued, the judge will talk about the image as a whole, explaining their stream of thought as they look at it, including both the positive and the negative. It's a real learning experience to see exactly what makes an image merit and truly invaluable.

I settled behind Gregg Wurtzler, M.Photog.Cr., as he critiqued a few images, and then pulled up a new one. Wurtzler has 14 years of judging and critiquing images under his belt.

"What do you think about this one?" he asked me as he made his initial assessment.

I tried to keep in mind what I had learned about the 12 elements from watching earlier judging and critiques, but was drawing a blank. I liked the image, but something about it seemed off, and I couldn't place my finger on the correct term.

He just chuckled at my confusion and started his critique, first complimenting the photographer on his choice of subject and capturing the right moment, then describing how the photographer could have improved his composition, to notice the placing of the subject's hands and the busy background that was detracting from him.

"At first, it's sometimes difficult to look at the image and have to guess why the judges didn't merit it," Wurtzler said after he finished the critique. "But we've all been doing this long enough that we can usually pinpoint what it is."

Later, I sat behind Mark Garber, M.Photog.Cr., CPP, who has helped thousands of photographers with his critiques.

For any photographer who hasn't entered competitions, take this as an incentive: Garber is a huge advocate, and made a point to encourage all the photographers in his critiques to keep entering their images.

"Competition is quickest way to improve photographic skills," he said. "Every photographer has had images that didn't merit, so don't be discouraged when it happens to you."  

Convinced of the fun and invaluable experience IPC is yet? Find out more about entering your images, becoming a PPA-approved juror and other competitions at PPA.com/IPC.

 

By John Owens

The PPA team took its annual field trip up go Gwinnett Tech for the International Photographic Competition yesterday. Last year, I entered the International Photographic Competition as a wide-eyed rookie. This year, as a crusty, second-year veteran, I knew the drill.

But you know what? It was at least as exciting. And it's because the images are new and the judges' passion is unwavering.

There was also the added element of the first ever IPC live stream. When we arrived, Scott Morgan, director of information technology for PPA, informed us that roughly 850 unique users were currently watching. About 250 of those weren't even involved in the competition!

The stream features live audio from each judging room, with the digital image shown on the screen. It's perfect theater for Warren Motts, M.Photog.Hon.M.Photog.Cr., A-ASP, F-ASP, whose baritone voice lent his digital judging room added drama.

What those at home can't see is the added action in the print room. The white-gloved volunteers placing each print in the turnstile. The judges' routine of getting up from their seats for an inches-away look at each corner of the image. Every color correction, every shadow, every pixel. Glasses on, glasses off.

Past PPA president and current chairman of the board, Ralph Romaguera Sr., M.Photog.Hon.M.Photog.Cr., CPP, API, F-ASP, was in his ultimate element (he's never really out of it) in the print room. As one of the rooms' jury chairmen, he led the judging and addressed the live stream audience whenever possible. "Hello out there in PPA land..." began each session.

For the judges, the IPC is photographic summer camp. It's their unofficial halfway point to Imaging USA--a chance to hang with longtime friends and colleagues and share in the passion that unites them. There's an equal share of hugs and friendly verbal jousting. The kind of environment you find in a tight-knit family, one that pulls you right in and embraces you.

A particular welcome sight was Keith Howe, M.Photog.M.Artist.MEI.Cr., CPP a longtime IPC judge whose battle with lymphoma and ongoing recovery has been followed here on our blog. "I'm moving pretty slow," he said. "But I'm happy I'm here."

They come together both for each other and for the greater good of the industry. To keep the competition and quality of winner images moving forward. They come for fellowship and to be wowed be beautiful imagery. They want to see something new.

"It's amazing how much time the judges spend every year nurturing this thing called image competition," said Randy McNeilly, M.Photog.Cr., MEI, API chairman of the Photographic Exhibition Committee (PEC). "I'm more proud to be an IPC judge than everything else I've accomplished in photography."

There are currently around 100 judges in the committee, with 20 hoping to join their ranks in this year's Judges Workshop, running alongside the competition. If averages hold, 3 of them will become approved jurors this year.

As for the IPC itself, the competition continues its upward trend. Total submissions crept over 5,000 for the first time this year, with nearly 2,000 of those earning merits and going back in for a second round of judging to see who will make up this year's prestigious Loan Collection book. 1,800 critiques were given, up from last year's 1,500.

From a photography standpoint, what impresses me most is the selection process. Think about how many images you capture over the course of a given year. Now choose four. That's all you get.

Now refine them into something amazing. Find a mentor and ask for their input. Maybe even enter them in a district competition beforehand to see how they rank. Should this leaf be here? What this line doing there? How's the lighting? The cohesiveness?

Everything matters. Even the title of your image can have a tremendous impact on its... impact. That's most paramount in the print room, when the title is read the moment it is turned into the judges' view. Does your image tell the story your title implies? Does it add something to the image?

It's something to think about.

By mid-afternoon, stream unique visitors climbed to 1,030, with 345 non-participants. Clearly the curiosity is there, so now that you've seen how the machine works, we hope you'll give it a try next year.

Oh, and speaking of that live stream, you can tune in to see who's going Loan right now! Judging continues for another 24 hours!


Coming soon...IPC Live!

You've always wondered what happens during International Photographic Competition judging. You

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 imagined judges sitting behind the closed doors, in a dim room, throwing out opinions, tearing down an image piece by piece--maybe even yours. Or maybe they pulled numbers out of a hat?

Fear not--the mystery of IPC judging is soon to be revealed! For the first time ever, PPA is live-streaming the whole thing!

From August 4-7, 8:15 a.m. to 6 p.m. EST each day, you'll be able to watch at stream.theipc.org with your desktop device*.  If you're a PPA member, you'll be able to log in to view the stream. Non-members can easily register with your name and email address to access it for free. Once on the site, you can switch between rooms based on your interest, such as Portrait, Artist or Illustrative images.

Whether you have images in competition or not, the judging process is still a valuable learning experience. You'll be able to hear judges' comments and critiques, and see exactly what makes a merit image.

Judith Ann Elliott, a PPA member from Powder Springs, Georgia, attended the IPC as a non-participant before she entered her images for competition the following year. "I was sold on IPC after I saw the judges - they're fair and truthful. They aren't just there to tear your image down. They're there to build your image up and make you a better photographer," Elliott said.

"We're excited to offer live streaming so participants and non-participants alike can see the value in viewing the judging process," said IPC Manager Rich Newell, M.Photog.Cr. "Photographers will be able to see what truly goes on during the process, and hopefully this will encourage more to enter in the future."

*Audio is not enabled on mobile devices. For full audio and video, please view on your desktop computer. 

 

Every year, hundreds of photographers submit their best work in the International Photographic Competition (IPC) to see how they stack up on the world's stage. It's an opportunity to showcase your creativity, skills and work, while learning and shining some light on areas you can improve (because we all get better when we know what we need to work on). 

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The best way to learn is by ordering a critique of your image(s). An IPC judge will record a video of your image, reviewing every detail. They will explain your score, what you did well, and of course, what you need to work on for next year. There is no better place to get some one-on-one feedback on how to improve your work!

And this year, PPA's working on a solution to help the IPC judges going a step further. For the first time ever, judging will be streamed live from the comfort of your own home. Closer to the date, we'll release the access information and you'll just have to hop online during judging (August 4-7). You'll be able to see what images make it and which fall short. 

You'll even hear the judges' rebuttals and see how they challenge each other's evaluations of some images! Remember, the best way to improve your skills is to hear the judges' comments on your work, so you'll want to listen closely as they discuss your entry! And for those who entered images in IPC this year, you will even get an update via text message, as to when your image will be presented and judged so you'll know immediately if you merited! 

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If you're still hesitant to enter a professional photographic competition, checking out the live judging from your computer will be  great way to see what it's really like. In the meantime, below you will find some great PPAedu videos that will also help give you some perspective:


Or if you'd like a refresher on the 12 Elements of a Merit Image, you can get them here with some excellent videos from Michael Timmons, M.Photog.M.Artist.Cr., CPP, F-ASP, an IPC Judge. 

Entries for the IPC opened on May 26 and will remain open until next Thursday, June 26. But don't worry, if your images aren't quite there yet, late submissions will be accepted until July 10 with an additional fee. 

If you're still asking yourself why enter - here are the 10 reasons photographic competition will help your business.


And we should mention - if you're in the Atlanta area and want to see the judging live and in person, IPC Judging at Gwinnett Technical College

(Top Image © Professional Photographers of Iowa, Lower Image © Jim Sanders, Harrisonburg, VA)


On Monday, May 26, entries will open for the 2014 International Photographic Competition
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 (IPC). PPA members that have entered the competition before know that not only can IPC help you earn merits toward your PPA degree; it can also help improve your photography business! 

While having your work judged can be intimidating, especially if it's your first time entering, we get tons of positive feedback on how entering IPC has made entrants better photographers. From keeping you inspired by seeing other IPC entries to being able to charge higher prices if you earn an award, there are many great reasons to enter IPC. Check out 10 of the ways competition can help your business here. 

As you're preparing your images for entry (digital or physical prints), it's important to keep in mind the 12 Elements of a Merit Image. These are the standards by which all photographs in the IPC are judged. By adhering to these standards, you are more likely to earn a high score so you can get those merits towards your degree. Practicing these elements will also help keep your photography at its best! 
 
If you're new to the IPC, or just need a refresher on the 12 Elements, check out our PPAedu video series on the topic with IPC judge Michael Timmons. In part one, Michael covers the elements Impact, Creativity, Style and Composition.  Part two covers Print Presentation, Center Of Interest, Lighting and Subject Matter and part three focuses on  the last 4 elements; Color Balance, Technical Excellence, Technique and Storytelling. You've got to be a PPA member to watch these videos, so join today! 

Once you've reviewed the 12 Elements and are ready to enter, you can read the rules and register for the competition at PPA.com/IPC. Here, you'll also find video tutorials covering topics like choosing the correct category for your images, setting profiles and calibration, entering albums and more. Make sure to review these videos before you enter your images to ensure that you are doing everything correctly! Oh, and if you're planning on mailing in physical prints, you can find a list of approved print cases for shipping to the competition. 

Be sure to enter by June 26 to avoid late fees! Entries will be accepted until July 10, but after June 26, an additional fee is required. 

Once you enter, watch the judging live in-person or streaming online
As we mentioned earlier, entering the IPC is a great way to improve your images and your business as a whole. However, the score you receive won't include all those great judges' comments about your work. You might be surprised by some of the things the judges pick up on!

So, to get the most out of IPC, you'll want to be present while your image is being judged so that you can absorb all of the judges' comments and ideas, and use these to continue to improve your photography. You'll also learn some great lessons while watching others' work being judged, and you may be inspired as well!

Judging will take place August 3 - 7 at Gwinnett Technical College in Lawrenceville, GA. Judging is open to the public, so we encourage you to attend and watch  the judging live. Can't make it to Georgia for the judging? No worries, we've got you covered there too! For the first time ever, all of the judging will be streamed live on PPA.com, so you can still watch from the comfort of your couch. Remember, watching the judging is the best way to learn at IPC, so we hope to see you there, in person or virtually. Stay tuned for more details about the streaming as we get closer to the judging. 

In the meantime, start getting those images ready and enter the IPC beginning May 26! 
Participating in photographic competitions can change your business, but only if you enter. How? Let us count the ways using the International Photographic Competition (IPC) as an example:

1. Get inspired! Take a good look at who else enters in the IPC--there are some pretty creative folks out there! See if any of their work trips your creative trigger and helps you produce even more out-of-the-box images. Nothing helps get the creative juices flowing like being exposed to fantastic works of art.

2. Define your style. The more you compete in photographic competitions, the more you'll be able to hone your personal style. As you fine tune your skill set, this signature style can become a great calling card for your business!

3. It will make you a better photographer. Opt to get an image critique and listen to an IPC Judge walk you through what you did right, what could use some improvement and offer suggestions on things you may have never considered. Even award-winning image makers can learn a thing or two from a fresh, professional set of eyes. Apply what you learn to your next client session and see your business grow!

4. Take on a personal challenge. You want to stay current, push yourself outside your comfort zone and stretch your artistic abilities? The IPC gives you an amazing opportunity to do just that! Set goals for yourself and keep entering year after year to continually improve your work. You can also work on projects that aren't in your typical client assignments. Broaden your photographic horizons! It might transpire into a new product line.

5. Prove you're the best. Let's face it, we all like a little (or a lot) of validation now and again. Entering in the IPC lets you put your best work up against photographers from around the world to see who reigns supreme. And you can see how you can improve year over year to improve yourself! Talk about a confidence boost! Your clients will see your swagger.

6. Charge higher prices. Being able to call yourself an "award winning photographer" gives you some serious clout over your local competition. You can now justify higher prices by letting your clients see the difference between yourself, an international award-winning photographer and that mom with a camera down the street. And if you continue to compete and earn your masters of photography, the designation of "M.Photog." behind your name will pack a punch.

7. Make connections. Even the best photographers can't do it alone. Make some life-long friends along the way as you compete. You'll bond over the thrill of victory (and the occasional agony of defeat). Connect on theLoop or the OurPPA Forums to get support from newbies or seasoned vets on anything competition-related. Still making edits hours before the deadline? They'll be right there with you. And there are countless mentoring opportunities--between the portfolio reviews done by PPA Judges at Imaging USA or finding mentors in your community before you enter, there are plenty of folks who are eager to help you!

8. Judges & clients want different things. Your clients probably don't come to you because they know you'll rock the 12 elements of a merit image by name--but they do come to you because of your style and brand. Competitions give you an opportunity to take risks your clients might be afraid to take with you. 

9. Rejuvenate your love of photography! Fall back in love with what you do. Get out of any mental rut you may be in, stretch your creative wings and do what you love! You have time to work on these works of art (early bird entries close June 26th), so you won't be as constrained by crazy turnaround times. You might be amazing what epiphanies you have with a little extra time on your hands.

10. It's the next step. You're an accomplished professional photographer. With earning high scores at the IPC, you'll earn merits that will set you on the path of earning your master of photography degree. You can also become a judge after earning 18 exhibition merits, taking the judges workshop and starting with local or regional competitions. Continuing your education is important to staying relevant and in tune with what your clients are expecting.

Have more reasons entering competitions will change your business? Let us know on theLoop! This year PPA's International Print Competition is open for entries from May 26 through June 26. It's a great way to be more!
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