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Ask Terri Eddington Anything! - PPA Today

Ask Terri Eddington Anything!

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By James Yates

PPA's theLoop online community has been on a roll lately, hosting Imaging USA 2016 speakers for Ask Me Anything sessions. This week, we were privileged to have Terri Eddington, M.Photog., CPP, sit and answer your questions for our final AMA before Imaging USA 2016!

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Terri is a 3-time recipient of the International Photographer of the Year Award as well as PPA's highest honor of Diamond photographer; her elegant style and talent in wedding and boudoir photography has truly set her apart in the industry. Terri also devotes her time and energy to furthering her industry as the rising President of PPA Louisiana.

At Imaging USA 2016 in Atlanta, Terri will be teaching the class "High Impact Lighting Made 'Easy'", January 11, 5:00 PM - 6:15 PM. In this amazing workshop, Terri demystifies everything that is difficult, complicated and cumbersome about lighting. Using her unique gift of simplifying this all-important concept, she'll show you fun and easy-to-understand setups that will deliver stunning images for your clients!
 
Terri's easy-going approach and sparkly personality are infectious. Right at the start of our AMA session, she told the audience, "Go ahead ask me anything...I will answer with a 'TNT' response! Does that mean 'Powerful'? From me, no! 'TNT' means 'Terri Not Technical' LOL! If you like an easy approach and simple explanation...then I'm you girl!"

Thanks, Terri! We know there are both new and evolving photographers who appreciate "easy" and "simple"! Here are some highlights from her AMA:
 
What's Your Inspiration and Your Favorite Personal Photo?

My inspiration? "People". I love to photograph people. Any kind, any style and even anywhere! Years ago in painting or art class when I could choose to draw or paint anything, I would choose people! I was told that was the hardest - but not to me. It was my passion. I did not know that many years later I would be photographing people but I never get tired of it. It is always exciting to see the many faces and personalities before me. And I have the privilege to capture them all! 
What is my favorite photography ever? Really? I mean, really? That is impossible to say! But I can say, when I capture the soul of a person, there is nothing like it. When their inner beauty shines through their eyes we are no longer just photographers but artists!
 
Is your creativity for an image fully realized before the capture or in post-production?
 
There are so many ways to approach photography to where there is not a true right or wrong. I can just say from my personal experience I have done a little of both. I do try to have a "game plan" when I shoot. I like to know location, time of day (if outside), the personality or taste of the client to know what to work towards during a shoot. If shooting in the studio I try to have the type of props and style of lighting ready that will work for the client. These are things I do for my everyday clients. A lot of times these clients have a need for normal/regular shots. What I do try to do is at the end of the shoot I like to be creative and do a little something different. We just have fun! A lot of times it will be their favorite but it was nothing they originally asked for. This allows me to stay creative and also gives them something that maybe no one else has. 
Now, on a stylized shoot I do plan more ahead of time. I try to have a theme, look and style ready. But again during the shoot something might hit me and I go for it. It's either the look someone has or their personality that comes thru and may lead me in a different direction. No matter how tired I am at the beginning of a shoot, once we get started I am "in the zone". I don't get in a hurry when I shoot. I love to create so I make sure I schedule in the time. 
That being said I would say that I don't fully realize everything I am going to do before a shoot but it does help to plan a little.
 
How do you approach High Key Lighting?

I really don't shoot a traditional high key. As far as a high key look on the subject themselves, I shoot normal lighting ratios and then lighten in Photoshop. This allows me to be in control of how much I want to lighten the subject and also to keep good detail and depth in the eyes, etc. I do sometimes shoot to have the background a white high key look by putting a one-to-two stop higher light on the background than the subject as long as the light on the back of the subject (reflecting from the background) is not brighter than the main light.
 
We hope you found Terri's advice helpful! And remember to catch her live at Imaging USA in Atlanta! Sign up today at ImagingUSA.org/Registration.





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This page contains a single entry by Professional Photographers of America (PPA) published on December 23, 2015 8:12 PM.

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