By Mariah Ashley
Author's Note: Required Reading! The Go-Giver, by Bob Burg and John David Mann. A little story about a powerful business idea.
I was alone in the upstairs bedroom. Amanda (the bride) was late getting back from the salon so I spent my time photographing her dress and invitation. Her mother kept popping in with other things she thought I might find interesting, among them a pair of fabulous Louboutin sequined heels.
"Oh, fancy! Shoes are like porn for women," I joked cradling the shoe near my face.
"So true," said Amanda's mom, with a chuckle. "Everything about this wedding is a little over the top. (nods toward shoes).
"But Amanda is such a good girl, so smart and hardworking. She's such a humble and sweet girl. I just want this to be an amazing day for her."
Amanda's mom left me alone with the shoes and my thoughts. A few days earlier I listened to a podcast by former Imaging USA speaker Jeffery Shaw. He interviewed author Bob Burg on his national best-seller, The Go-Giver, which describes "giving as the most fulfilling and effective path to success."
Burg and co-author John David Mann map out the Five Laws of Stratospheric Success all focused on giving instead of getting. Intriguing! Trish ordered me the book and I devoured the parable in one sitting, highlighting passages like a mad woman. Since then I haven't been able to think about much else besides adding value to my clients lives, with the exception of thinking about how much I was dreading photographing Amanda's wedding.
When Amanda first contacted me, she had just experienced what she described as a "bad engagement session experience" with another photographer she had originally booked to photograph her wedding. She wanted to talk to me about that experience, get my opinion on whether or not her expectations had been unrealistic, and discuss the possibility of having us photograph her wedding instead.
PPA will offer members and non-members alike the opportunity to attend a litany of daily workshops ranging from a class on working with strobe & speed lighting units in California to newborn photography in Daegu-city Korea.
All of the classes are taught by professional photographers and are tailored just for you. There are dozens of different courses offered at a variety of different times and dates, so finding one that fits your busy schedule is a piece of cake.
These events offer both up-and-coming photographers and seasoned veterans the chance to learn from one another and also the chance to network and grow their local market. At just $99 if you book online ($120 in person), the day-long classes are an awesome value. And if you're thinking of joining PPA, this is a perfect opportunity to see what we're all about. If you're already a member you'll receive one service merit for attending each class-- a crucial step towards attaining certifications/degrees.
And also another step forward to BE MORE!
Head to PPA.com/super1day to find a class near you.
You might have heard, but the International Photographic Competition (IPC) was last week!
The results are in and they are GOOD! More images, more merit images, and WAY more images going loan. Way to go everyone! Here's an excerpt from our official press release below:
A panel of 45 eminent jurors from across the United States selected the top photographs from nearly 5,000 total entries from August 4-7 at Gwinnett Technical College in Lawrenceville, Georgia.
Judged against a standard of excellence, just over 1,800 images were selected for the General Collection and 918 (roughly 18 percent) were selected for the esteemed Loan Collection--the best of the best. The Loan Collection images will all be published in the much-anticipated "Loan Collection" book and over 200 selected General Collection images will be published in the "Showcase" book by Marathon Press.
Images accepted into the General and Loan Collections will also be on display at the Gaylord Opryland in Nashville, Tennessee Feb. 1-3, 2015 during Imaging USA, the annual convention and expo for professional photographers. These images constitute one of the world's largest annual exhibits of professional photography gathered simultaneously under one roof.
Those who didn't earn merits this year didn't have to leave empty-handed. Critiques from the IPC judges were available upon request, and the judges completed roughly 1,800 during the competition. The critiques are offered as a way to help participants find areas of improvement and prepare for future photo competitions.
And for the first time, this year's IPC was streamed live online and 1,570 unique visitors from 13 countries tuned in over the four days. 643 of those weren't involved in this year's competition, showcasing the widespread curiosity in competition, but tentativeness to enter. This is something PPA hopes the live stream will help change.
"This was truly the biggest and best IPC yet," said IPC manager Rich Newell, M.Photog.Cr. "Those critiques must be working; we had about 250 more images go Loan this year. And we're thrilled with how many people viewed the live stream. We hope it showed all the non-participants who watched what truly goes on at competition. Hopefully they won't hesitate to enter next year!"
The IPC challenges photographers to grow their artistic and technical photography skills by creatively capturing and presenting their best images, and by doing so, improving their businesses.
Here are a few photos from the judging:
To view full results of the International Photographic Competition, visit PPA.com/IPC. And go ahead and start practicing for next year! Let's see those numbers soar even higher.
By Penn Hansa, PPA Intern
Jonathan Givens, CPP, isn't just a photographer.
For starters, he was a master carpenter for the Oprah Winfrey show who had never considered picking up a camera until Oprah herself suggested he take pictures of the sets he built for the show. Fast forward 11 years, and Givens is now a Certified Professional Photographer who has made a business out of taking pictures of the thing he loves - entertainment.
Givens grew up as an actor, dancer and singer. He first performed when he was five years old, and was 12 when he had his first paid gig. Theater life was consuming, but Givens didn't want it any other way. "I didn't go to my high school graduation because I was in technical rehearsals for a show," he said. "Theater was always there for me. It was the place where I got to be silly and jump around, and do all the crazy things I wanted to do."
He was doing what he loved - until injuries set him back. He shattered an ankle during a show, and then his voice was "destroyed" by the steroids that were prescribed to help his vocal cords. But Givens couldn't stay away from the stage, and instead, moved his talents behind the scenes to work as a technician in 2001. Taking jobs here and there, he eventually worked as a technical director at a youth theater in Phoenix, where he taught a child actor named Emma Stone how to build scenery.
He made the move to the Oprah Winfrey Show in 2003, and as the carpenter who built the set, was part of the team who won an Emmy the following year for Best Set Design on Oprah's Pop Star Challenge. the host's own version of American Idol. When he built a set for Destiny's Child's appearance on the show, complete with smoke rolling over a moving sidewalk for the singers to walk in time to the beat of "Lose My Breath," he knew he should take pictures of his work. "It was hours of preparation and $80,000 worth of work and materials for only 10 seconds of airtime," Givens said. "I needed some way to document what I was doing, so I wasn't just throwing the set away."
Other highlights of his career include working with Cirque du Soleil in 2006 as head carpenter of the show Alegria on their European tour. He also did rigging on major motion pictures like Iron Man 3 and Rock of Ages and at Univision Studios. In photographing the sets he was building, he began taking pictures of the entertainers he was working with and found that people were much more fun to take pictures of than set pieces. He started his own studio in Miami, Entertainment Photography Specialists, and joined PPA in 2012.
"I didn't want to be just another guy with a camera, which is why I joined and got certified. There are a thousand photographers out there, and tons of people who try to do the work that I do. PPA membership sets me apart from the rest," he said.
He attributes his success as an entertainment photographer to his background as an entertainer and technician, and notes that it's allowed him to capture some unique pictures. As a certified rigger, he was able to set an aerial dancer under a bridge in Portugal, with the 5:30 a.m. sunrise and a lighthouse in the background. "It's definitely different from being just a portrait photographer because I have to set up all the rigging," he said. "It's a logical challenge setting up the images."
What also helps are the emotions he recognizes in the performers, passions that he can empathize with having once had them himself. "I don't get my subjects posing - they are doing what they enjoy, and I take pictures of that. I can see the passion behind what the performer does, from the performer's point of view. When the dancer loses herself in the dance, I click the shutter.
"I photograph what I know - entertainment. I'm not only thinking about the lighting, the composition or all the other technical aspects of photography, but I'm also considering how the image will promote the subject's career, or gain attention for the production," he said. "And that's what's made all the difference."