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By Lisa Sharer

Just picture it. You're a young, excited kid. You're getting ready to dig up a time capsule that was placed underground a decade before you. You're excited to pop that bad boy open and go to town reading the letters, pulling out pictures, and toying with any other goodies you might find inside.

So you get out your shovel, you move that rock, and you start to dig. You feel a hard spot in the ground and you fall to your knees and start scooping out handfuls of dirt. You pull up a box, you tear it open, and you find this:

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No personal hand-written notes, no tangible photos, no goodies. A piece of hardware. A piece of hardware that may not have the correct cables to work with your current system, and no instructions on how to explore what's inside! Upon seeing an item named "Time Capsule," we thought, how disappointing this would be if our children found this below ground.

Yes, this hardware is important these days. So please, PLEASE, create backups of your data! But don't mistake this as the future of your photography legacy. Think about your inner child, and help your clients think about their inner child. Print is still as powerful as it was when the first photograph came to be. Photographers, we need to keep that moment of seeing a first printed photo of a wedding, that image of a newborn, the TIME CAPSULES, as special as it has always been.

If you feel the same way, it's time to join the movement! The Print Movement is a collection of photographers and print partners that are focused on saving and building up the print industry. It's important for photographers, it's important for your clients, it's important to our culture. So, join today!


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By Lisa Sharer

In 30 or 40 years, how will you remember the most important moments of your life? It's a question that the print industry is asking during this technological age. According to a nationwide survey conducted by Professional Photographers of America (PPA), consumers are printing significantly less than the generations before them.

In some homes, photo albums do not exist. For some people, printing photos is not even on their radar. People are leaving everything in the cloud, and assuming their coveted images will be safe forever there. But if there's anything we know, it's that technology has the potential to crash, delete images and possibly even wipe files off the face of the earth.

This infographic illustrates the very scary truth about consumers' relationship with printing photography products. While we would like to believe that everything will be fine on a computer or in the cloud, we can never really be sure. Even if they are safe, are consumers planning to share their family photos from a desktop? Will people walk into each other's homes and bypass blank walls to head directly to the computer?

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Tangible, visible, printed images are the only thing that can really tell the story of our most precious moments. Generally speaking, don't you see children more fascinated by the family photos throughout the home folders on a computer screen? And as adults, will they wonder why their parents aren't proudly displaying their special moments? Will that one photo make as much of an impact to the newlyweds that choose only to share via their social media?

These are all valid concerns, and they start with the photographer. As photography professionals, it is our obligation to give the full scope of a photo session, including the printed works that follow. This infographic shows the awe-inducing effects of the technological age as well as the importance of bringing home a printed image that will let the subjects beam with love and pride, and that they will be able to share with generations to come.

To learn more about The Print Movement and how printing can help reinforce the photographic industry, visit PRINTmovement.org. You'll find an array of statistics, valuable information, as well as resources to help you sell print products from your own studio. It's time to start the (re)evolution of print!

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About the author:
Lisa Sharer is the Marketing Campaign Manager at Professional Photographers of America. As a Creative Writing graduate, she loves any chance at getting pen to paper. When she's not being creative in the workplace, she can be found skating with the Atlanta Rollergirls or volunteering with the Weloveatl Project. Or really - snuggling with the dogs.
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